Different black-and-white animation techniques tell several scary stories. There's a story of a teenage boy who meets the wrong girl. Another tale deals with a small community where people disappear and are never seen again. Then there's the narrative of a little Japanese girl who suffers from horrible nightmares followed by a tale where a man doesn't get the rest he hoped for in an old not-so-abandoned house. These stories are connected by the story about a man with a devilish smile and four enormous dogs from hell and by a woman's monologue about her fears.

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's ...